My Stage Debut

I did not have to prepare an audition for my first role on the stage. I just had to be the right age (five), work for free, and the son of the producer, my father. It was a production of the Greek tragedy, “Medea,” and I played the younger son of Jason and Medea. The play came in last in the competition at the Dionysia Festival when it premiered in 431 B.C. A mother's fillicide as revenge against her husband's infidelity was not acceptable behavior even to the Greeks back in the day. But it is a tragedy, and someone has to die. So I became the sacrificial lamb. The death scene (thankfully carried out off stage), did not require a lot acting talent on my part. I just had to play dead on command. Just before the big “reveal,” my stage brother and I took our positions on the floor behind a closed door, and the stage manager poured ketchup all over our white togas. I remember vividly the door flying open, the stage lights flooding into the room where we lay, and the blood-curdling scream from the actor who played Jason when he beheld his dead sons. Trying to remain “dead” in that moment was my first big challenge as an actor. I wanted to jump up and run away. Jason and Medea would not be put on the cover of today's “Parents” magazine, but my parents did not seem concerned that this theatrical experience might scar me for life. While I might have suffered some nightmares from time to time, there was no permanent damage. I did not know it at age five, but the art of storytelling became firmly established in my psyche, and my artistic life had been determined.

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In The Beginning Was The Story

It is one of my earliest memories. I was four years old when I witnessed my father drinking, gambling, attempting a robbery, and then dying by his own hand from a knife thrust into his heart. I watched him die right before my eyes, and I had no ability to distinguish the degrees of the semblances of truth. When Hamlet says, “...the play’s the thing / Wherein I’ll catch the conscience of the king,” he means that he will use a dramatic performance to test whether his uncle, Claudius, is guilty of murdering his father. And when Claudius sees the reenactment by the players, he flees the scene. When I saw the performance of my father's death, I too fled the scene, whisked away in my mother's arms, screaming. Dad was playing the role of Billy Bigelow in the musical “Carousel.” Backstage after the show, I hurled myself into his arms sobbing in relief. That night Dad lay the instrument of his death on our dining room table; a rubber knife no longer than six or seven inches from blade tip to butt end. He even demonstrated how he used it. This moment was a marvelous reality, one not fully explained or understood, nonetheless, irrefutably before me. I was an eyewitness to it all, and afterwards, I was tucked into bed by the one who had performed the feat. This was the mystery of storytelling, the story of my father, all-powerful, who could create such a wondrous illusion. My impressionable heart was frightened and awed by the experience of life, death, and resurrection. I did not know that these powerful themes would become foundational beliefs for life.  

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Read more about the article Old Dog / New Tricks
Life is a Balancing Act

Old Dog / New Tricks

I am very slow to commit to technology that might improve my daily life. Living in a high-speed, full-scale digital cosmos does not appeal to me. I still use a flip-phone, and it has not been that long since I began to use the texting feature, though with reluctance. My reading material comes in hard copy form, not electronic. I shoot pool, play poker, and pinball (all poorly), not video games. I have an antennae on the roof that gets about a dozen free channels, four of which I watch. When people tried to get me to open a Facebook account so I could gain a couple of billion friends, my eyes glazed over. I live like an animal, you say, but no more. This old dog decided he could learn a new trick or two. I not only had a website designed for my professional work, I also joined the world of Facebook. Now to all of you who know of my snarky attitude regarding social media forums (much like the snarky naysayers in the early days of television who considered the box of tubes a “vast wasteland”), I deserve all the slings and arrows of snide comments you care to throw at me. Be brutal. Be brutal. I accept the barbs. But hold on. I have taken one more technological step in my journey from cave-dweller to enlightenment...the newsletter, delivered electronically courtesy of Mail Chimp. This will be the first of many to follow. One may rightfully consider that I have lost my mind, but since I love to write stories and explore ideas, perhaps this new forum may be a pleasant experience for us all. So the slippery slope begins. And who knows? Sometime in the not too distant future, I may upgrade to an iPhone allowing me to do live feeds on Facebook. But don't panic. My navigational skills in this wide, wide world of social media are still quite limited. And the beauty of Mr. Mail Chimp is that should you ever cry “uncle” from an over-consumption on my musing, you can always click that “Opt-Out” button.

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Read more about the article Cultural Exchange
Dapper Dad

Cultural Exchange

Most of you know I love being outdoors and hiking on trails both foreign and domestic. Beside the joy of walking through the beauty of nature, I look forward to encounters with fellow hikers. I remember teasing my father once when we were headed out for a day of hiking that I thought he looked “too dapper” for the trail. His reply, “You never know who you might meet on the trail, Son.” Words to live by. We are all smiles in this picture, but I met five of these ladies under a difficult circumstance. On this particular day, I had led a group of men on a nine-mile hike. As we were walking out we met up with two of these ladies who had gotten separated from the other three. They expressed some concern about their friends, but felt the stragglers were not far behind. These ladies had read about the great waterfalls on this trail, but had no idea of the length or difficulty of the strenuous hike. When we got to the parking lot, I sent the guys in my group on home. The sun had set and the fading twilight was barely getting through the thick summer foliage of the forest. I told the two ladies that had walked out with us that I would go back for the other three. If I had not returned by dark, they were to call the rescue squad. Fortunately, I only had to walk a mile when I found the three of them resting on the trail. They spoke little English, but enough to realize that I had been sent by their friends, and those friends were waiting for them in the parking lot. I was able to explain that I was familiar with this trail, and that even in the fading light, I would be able to escort them back to their friends. It was completely dark when we made it to the parking lot. It was a happy reunion for everyone even in our exhausted state. Before I could slip away, they ladies insisted that I give them my phone number. "We cook for you. We cook for you and your wife." I was not sure this would happen, but within a few weeks, I got the call with the invitation. And so, Kay and I spent an afternoon with our five new friends along with some bonus friends. We feasted on a meal of Asian cuisine fit for royalty. The blessing of a “chance” encounter led to the pleasure of new friendships. Dad's words took on new meaning, a deeper almost prophetic meaning. “You never know who you might meet on the trail, Son.” Yes, words to live by. And if you still would like to sign up to receive my bi-monthly newsletter, launch date is April 1st (No, it is not a Fool's trick) click: https://henryoarnold.com/subscribe/ 

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Read more about the article Conversations at the Crossroads
Moi at Lake Huwea, South Island, NZ

Conversations at the Crossroads

There is a well-worn path in the back field behind our house. When Covid shut down the world, including our local gym, I took to doing laps around the perimeter of our acreage. The gym has since reopened, but I have enjoyed cutting large repetitive circles on terra firma and not jogging on machines with conveyor belts or on Nordic tracks so much that I have yet to re-up at the gym. May not for a while...may not at all. I have traded in the sounds of heavy-metal cranked up to motivate faster fat-burning, or multiple screens of cable commentators or infomercials, or the audio spillage from the personal earbuds used by those on either side of me, not to mention the huffing and puffing from their accelerated heart-rates, for the early-morning sounds of the outdoors. I hear the wind in the trees, the chirping birds, lowing cattle, the scolding honks of Canadian Geese as I pass by the pond—it must not register in their little goose brains that they are the trespassers—my own footsteps crunching along the worn path. Funny how my soul wakes up a little brighter with sounds of nature. From this clarity has come a plethora of ideas, and voila, a newsletter is born. What? Another newsletter you didn't know you wanted and can't live without? Too much oxygen to the head, you say. Well not so fast. The title “Conversations at the Crossroads” comes from the prophet Jeremiah in chapter six, verse sixteen: “This is what the LORD says: 'Stand at the crossroads and look; ask for the ancient paths, ask where the good way is, and walk in it, and you will find rest for your souls.'” Who of us does not face daily crossroads, desire good and wise council, and need peaceful rest for our souls? My world-view is seen through the lens of an artist. It's the way God cut me out of the miry clay, and I was offered two skills on my way out the door: acting and writing. I've tried to use those skills well, keeping in mind the physicians' oath to “first do no harm.” These talents were not given to me solely for trade-craft as I slogged through life making a living. Through these gifts, I believe the Almighty was offering a wider, more inclusive vision for my future, if I chose to walk that path. Beginning soon, you can receive my bi-monthly newsletter. Click onto my website: www.henryoarnold.com  or sign up directly here https://henryoarnold.com/subscribe/  The first and fifteenth of every month "Conversations...," will arrive in your in-box. The content will be wide-ranging: art, literature, insights into biblical themes and narratives, theatre, film travels, and family dynamics, each one written through the lens of my personal stories and life struggles. The newsletter will offer updates of my literary and acting projects, and first-look scoops of content from my books. For videos promoting my books and performances, I will use my Facebooks pages and my YouTube channel. "Conversations…

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Welcome!

Thank you for subscribing to the "Conversations at the Crossroads" bi-monthly newsletter. The content will be wide-ranging: art, literature, insightful narratives on biblical themes, theatre, film, travels, each one written through the lens of my personal stories and struggles. The newsletter will also offer updates of my literary and acting projects, and first-look scoops of content from my books. Below you will find all archived "Conversations..." just in case you miss any newsletters that did not reach your inbox at the time you subscribed.

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Ancient Voices; Part Trois: Walk With Me

I have written often in the past of my hiking adventures. Taking journeys on my own two legs is a preferred choice of travel. Themes from “Song of the Open Road” by Walt Whitman has always fueled the wanderlust in my bloodstream. I love the company of other trekkers, but also enjoy the solitary walk. There are those trails that are favorites that I go back to time and again just to be among the familiar: the landscape, the water falls, the rock formations, the twists and turns of the path through thick forests, but mainly I return to remember. To remember and process the circumstances, thoughts, and feelings that might have driven me to this trail. To remember the companions who walked with me, our conversations, our laughter, a shared meal. A cherished memory of hiking my favorite trail is with my two brothers and our father. It was a few years before he died, and he was struggling to make the final ascent at the end of the trail. We had to stop more often than usual for Dad to catch his breath. In one of those restful moments, Dad said, “Boys, this may be the last time I can do this trail.” It was, and since then every time I make that final ascent on that trail, I think of my Dad and my brothers. There is always an extra thrill of finding a trail that is new to me, every step taken into the unknown, every view is new, every smell and sound is fresh and different to my senses. I am able to imagine myself (or trick myself), into thinking that I am the first to trod this path, to see these wonders of nature. There is a heightened expectation and a marveling. There is also a level of trepidation with each new trail taken: come upon some scenic wonder that would take my breath away by its splendor or come upon something that might do me harm. To be awed by the sight of an avalanche tumbling down the snow-capped mountains or to freeze in fear at the rattlesnake stretched across the path. I am blessed with wonderful collected memories of trekking adventures. Still there is so much I have not experienced in the creation of God. There are many words I love to speak and hear spoken, but there is one simple phrase that elicits a special thrill when I hear it or speak it: “Walk with me.” It makes me feel like a kid again when my friends would come to the house and shout, “Come out and play.” With each invitation, I bolted out the door knowing anything could happen that might bring pleasure or danger, and for me, growing up, there was plenty of both. Such an invitation was given to Abraham, through whom the nation of Israel would come into existence. In essence, Yahweh said to Abraham, “Come out. Walk with me.” It was an invitation to leave behind…

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Ancient Voices – Part Deux

When we returned home to Nashville from our one-year sojourn to Washington State in search of holograms and lazar-lights for our biblical epic, I heard about the British actor, Alec McCown, doing a one-man production of “St. Mark's Gospel.” He had memorized all of Mark's gospel, KJV no less, and given performances in London and New York to packed houses. I knew no one was going to hire me for such a venture (my name had no marquee value, nor did I have a British theatrical resume), but I began to test the waters of the church world to see if any might be open to having someone dressed in Levi jeans and a J. Crew shirt tell stories from the Bible in their sanctuary. After our second daughter, Lauren, was born, I took the hologram/lazar-lights show of the famous apostle and transformed it into a simple one-man show with two wooden benches for a set. And, inspired by Mr. McCown's success with his “St. Mark's Gospel,” I created a second one-man show on the life of Jesus. Instead of using one Gospel as my source, I cherry-picked stories of Jesus from all four Gospels and compiled them into a dramatic sequence. I asked a few area churches to allow me to showcase my one-man shows of Paul or Jesus, and because of their kindness, I was able to get a few more churches to open their doors. When it came to setting a fixed cost for those performances, I did not have the business savvy or plain old chutzpah to demand a set fee, so I accepted what was referred to as a “love offering.” After a performance the collection plates would be passed, and whatever came in, I took home. At times those love offerings did favor me with love, but many times what arrived in those receptacles was little more than a “like” offering, or a “This guy wasted an hour of my time that I will never get back” offering. And there were those times when my fingers and toes outnumbered the audience. Often discouraged but not defeated, I created a third one-man show on the life of David, which made up my “The Word Made Flesh” trilogy, and I pursued my quest to give live performances of these great biblical stories whenever possible. An actor's life is never predictable so I was pleasantly surprised when I was hired to produce a dramatized version of the New Testament using multiple actors. The text would be the King James Version chosen by the executive producer, i.e. “The Money,” because it was public domain and royalty free. Because of my theatrical experience and classical training, “The Money” wanted me to read the role of Jesus. The King James Version is similar in style and language to that of Shakespeare, so I was thrilled to have this opportunity. I embraced this project, heart and soul, but with no practical sense of what it meant to produce such a mammoth…

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Read more about the article Ancient Voices
Cover Art designed by Roseanna White

Ancient Voices

What do all these factors have in common: engagement, marriage, unemployment for one spouse, pregnancy, eviction, multiple living quarters including an unfinished attic, the kickoff of a writing career, the arrival of a first child, unemployment for the other spouse, all followed by a cross-country move with their four-month old daughter leaving behind kith and kin in search of fame and fortune? You guess it...Kay and Chip. Oh yeah, and cram all these events into just over a year's time. I can think back on some of the decisions and choices I've made in life and wonder, "What was I thinking," but marrying Kay was not one of them. The hardest job I've ever had was to convince her to be my wife. It wasn't easy, but we signed, sealed, and transacted the ceremony on May 12, 1979, and headed off to Green Turtle Cay for our honeymoon. Green Turtle is a three-mile long, one half mile wide island accessible only by boat. There were a few bungalows scattered about on both ends of the island, and on the central part there is the yacht club and a small gated community of luxury homes owned by the gentry from other countries. We were the only ones to have rented a bungalow for that week, so the whole southern end of the island was ours. To see other humans required a walk into the village. We made the trek a couple of times. Once we returned from Green Turtle, life rapidly descended into chaos: lost jobs, lost housing; and within two months of our “I do's,” lost autonomy of our couple-hood. My mother fondly called our honeymoon spot, “Fertile Green Turtle.” Nine months and four days after the wedding (Yes, Mother was counting the days), we were blessed with our first daughter, Kristin Alisabeth. Now when faced with the heavy realities of life, I should step up and take responsibility, get that “real job,” I was told by one relative, and “The Lord helps those who help themselves,” I was informed by another relative. Well-meaning advice, I'm sure, but I did not have "ears to hear." In the midst of our topsy-turvy world, I had the brilliant idea that it was the perfect time not to look for that "real" job, but to write a play, a biblical play on the apostle Paul that would turn the world upside down just as the original Paul had done in his day (He had a "real" job until he took that road to Damascus). What had Kay gotten herself into, you ask, and was it too late to get out? The simple answer is no, she did not know what she had gotten herself into, and yes, it was too late to get out. My parents gave me my first Bible on my eleventh birthday in 1961 with the inscription written in my mother's hand: “To our son with the hope that this book will serve as your guide all the days of…

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Two Old Men Telling Stories

Barry Scott and I loved telling stories to each other about our childhoods, our families, our work, our faith. Between us we had well over one hundred years of stories. I recently walked the grounds of St. John's AME Church where, two years before, we had done a performance of Jim Reyland's play “Stand” and saw the ghosts rising from the concrete pad and grassy plot. It was all that was left of the church property after the tornado went through North Nashville in March of 2020. Before the show, Barry and I sat in the Sunday school turned make-shift dressing room. By then, we had performed in so many schools, theatres, and churches, and gotten into costume in so many dressing rooms from the luxurious to the storage closet. We loved performing in churches. In all the places we performed “Stand,” church was where this show was meant to be. A large fruit basket sat on the center of the table filled to overflowing like a cornucopia basket of wonderful edibles. Barry and I ignored it. Neither of us liked to eat anything before a show. After the show, after the talk-back, after the sweet reception and the joy of fellow-shipping with the congregants, Barry and I went back to our dressing room to get out of costume. Barry asked if I wanted the fruit basket or anything in the fruit basket, and I told him no, for him to take it. He said he and Schuronda would take it, that as they drive around town they would hand out its contents along with a bottle of water and a couple of bucks to those who stood on the Nashville street corners selling The Contributor or those with cardboard signs asking for help. Inspired by his action, the next week I went to Sams, bought a case of water, a large box of granola bars, and then to the bank and got a stack of ones. Barry Scott made me a better man. On one of our many tours of “Stand,” we were in Asheville, NC. It was our last show in our last city for that year. After several days of being on the road performing in churches at night and in schools during the day, that morning was to be the last show. A school group was coming to the church where we had performed the night before for the general public. Barry and I were in our dressing room, another make-shift Sunday school room waiting for Jim Reyland to come tell us to get into places. About ten minutes before the show, Jim told us the school had canceled at the last minute and that the handful of people in the audience were a few of the church staff and Asheville locals. The pastor of the church said that we did not have to do the show since the school was not coming, and Jim offered us the option to pack up and go. Now I'm…

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