To Think Or Not To Think
I love it when I have the opportunity to do a play because I get to go around using my Outside Voice without fear of Kay's disapproval or a similar negative reaction from a host of others who might consider my volume level an infringement on their personal auditory space. During those weeks of rehearsals and performances I go about the house or tramp over the back field, my mind and body absorbed in my character, my voice modulating in tone and quality, as I search out just the right physical and vocal nuances that will lend truth to the moral fiber of my creation. Kay can only scowl at me when I’m “getting into character” and not scold. Early into our marriage whenever Kay and I were having a disagreement she would stick her fingers into her ears and tell me to stop shouting. “That’s not shouting, my dear. That’s projecting. I make my living projecting.” Yes, her eyes rolled in exasperation then and still do today whenever I use that excuse for my increased volume. On more than one occasion my Outside Voice has usurped my Inside Voice at improper times and gotten me into trouble. A notable moment took place in a church setting years ago when our girls were old enough to be sitting with us in the pew and still young enough to be indifferent to the service…much like their father. In the middle of the sermon when the preacher made an inane theological point that God’s love was contingent on us performing good works; the preacher’s line went something like, “Jesus is well and good, but you have to earn yourself a place in the kingdom,” I took immediate umbrage. I looked over at our little darlings seated between Kay and me, happily playing Tic-Tac-Toe on the church bulletin, and said, “Girls, what he just said is a lie.” In my defense I did use my “stage whisper” voice. However, their heads shot up, the Tic-Tac-Toe halted in mid-contest, and they looked at me as if I had said something blasphemous. And so did the other congregants in a three-pew, 360 degree radius from where I sat. My stage whisper was the epicenter of a contrary theological viewpoint pulsating out in waves in every direction of the compass. Kay, while sinking into her pew, looked at me with a shocked expression that quickly turned into one of death, the “As soon as I get you home, you’re dead,” look. We all survived my poorly timed comment, and we never darkened that church door again. William Jennings Bryan, famous politician and orator of the early 20th century, had an Outside Voice. I am fortunate to be playing the character based on Bryan in the play “Inherit the Wind” produced by Nashville Repertory Theatre in March/April, 2018. (For more information visit Nashville Repertory Theatre website) The play centers around the Scopes Monkey Trial in 1925 challenging the legality of teaching the theory of evolution in the…
