Mr. Washington Goes to the Theater
I came across an article in The New Yorker recently by Adam Gopnik in which he reviews some new historical works that rethink the American Revolution. While the article was illuminating, it was his last two paragraphs that caught my attention. He recounts an action taken by George Washington to stay the execution of Charles Asgill (an execution Washington had ordered) in November of 1782. The nineteen-year-old Asgill was a captain in the British army and had been captured and held in a prisoner of war camp in Lancaster, Pennsylvania. Some months before British Loyalists had executed a captain in the Continental Army in retaliation for the death of a Loyalist soldier. The game of tit-for-tat had begun, and pressure mounted on Washington to hang a prisoner of the equal rank of captain. Asgill was one of twelve captains held in captivity at that camp in Lancaster. No captain stood out as particularly heinous, which would have made the selection process much easier. So twelve slips of paper were tossed into a hat and passed around the group. When Asgill withdrew his slip, it read “unfortunate.” Unfortunate indeed. An intense letter writing campaign ensued to spare the captain, led by Asgill’s mother, which inspired the French Foreign Minister to solicit on the captain’s behalf. Washington was looking for any reason to stay Asgill’s execution and these letters of a mother moved him to persuade Congress to spare the young man’s life. There are other fascinating details to this story, but this incident inspired a French artist and writer to write a play based on Washington’s intercession. Jean Luois Le Barbier sent a copy of his play to Washington with this note, “I hope, Sir, you will not disapprove of my zeal in publishing your sublime virtues in my performance.” What a beautiful example of art imitating life, and if that were not enough, Gopnik refers to Washington as a “lifelong theater enthusiast.” This I did not know, so my curiosity was peaked, and I went on the hunt for evidence that our first president was a theater patron. Washington recorded detailed entries in his diaries commenting on his frequent attendance at theaters in Williamsburg, Philadelphia, New York, and Alexandria, Virginia to see productions by professional acting troupes. Washington had favorite actors he followed and was known to attend a production he liked more than once. According to Odai Johnson in his book, “Jefferson and The Colonial American Stage,” Thomas Jefferson and Washington attended the same theatrical performance on eight occasions. It is not a stretch then to imagine our Founding Fathers being moved by productions of “Hamlet,” Robinson Crusoe,” and “Don Juan,” or laughing themselves silly when viewing “The Romp, or A Cure for the Spleen,” “High Life Below the Stairs,” and “Animal Magnetism.” You have to love the titles of these comedies. But all was not well for the theatrical arts in those early days of our nation. In an article in the “Journal of the American Revolution,” David…
